Like Lauren Cyr, I also have been working on an Honors
Thesis this year. While I could give tips and tricks on navigating the process
of very-long paper writing, I think Lauren already put it best (follow this
link to see her post: http://clarkenglishblog.blogspot.com/2013_09_01_archive.html.)
Instead what I would really like to do is just to tell you about how I came to
my topic and what I have so far learned about it. Because for the first time in
a while, I have found a topic for which I cannot exhaust my enthusiasm.
I knew I wanted write an honors thesis basically since
declaring my major. To me, it had always been a part of my plan. However, when
it came time to start thinking of a topic, I was 100% burnt out. My junior year
beat me down and I found that during that summer I didn't want to think of
anything academic at all. Furthermore, I knew I was tired of all the topics I
had explored before. I never wanted to read Jane Eyre or Evelina again; no
longer was I interested in the gendered advertising techniques employed by Dr.
Pepper, Coca-Cola or any other company; I would not want to look at another
colophon in the confines of Clark's archives; I did not want to read another
autobiography. I wanted to take everything I had read and done and throw it
across my room in a fit of childish catharsis. But more practically and
reasonably, I knew I wanted to be excited about what I was going to do for a
whole year, and I thought in order to do that, I needed to find something new.
It wasn't until I went to see The Great Gatsby movie--which
I hated--that my thesis began to take shape. Nick, to me, is an iconic
narrator. Yet in that movie, I felt he barely even needed to exist. He was just
a vehicle for reporting the plot of the book and means through which the
morality of the text could be interpreted. Looking deeper into Nick and
narrative style, I began to realize that Nick's distance and possible
objectivity allowed him to become a moral authority within his text.
Furthermore, I saw this pattern in other narrators throughout the literary
cannon: Walton in Frankenstein, Dr.
Watson in Sherlock Holmes. As I accumulated more examples, I began to find one
major gap emerging. There were no female narrators of this type, no female
authors writing this type.
Skipping forward a bit, I, with the help of Professor Huang
found Jazz. Written by Toni Morrison
and voiced by a complicated, implicitly female character, the novel happens to
focus upon the same time period as The Great Gatsby, the Jazz Age in the United
States. However Jazz focuses upon the
Blacks of Harlem who barely enter the world of Gatsby's moneyed elite. Using
these two books as my texts, I began to explore the world of narrative voice
and narrative ethics, gossip and claims to knowledge, gender and canon-building.
I am not going to give you a huge summary of my paper. If you want a sense, look at the word cloud.
Word Cloud of my Thesis courtesy of Word it Out |
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